After we received the details from the publisher, we talked a lot about the options, the potential scenes, the compositional schemes we could use. In the story you can read about the war between the gentle elves and the demonic breed of the aquirs. Both of the species use flying battle ships: the ships of the elves are beautiful, the aquir ones are living meat monstrosities and lava vessels. And there are also dragons in friendship with the good forest people in the novel. Well, we were thinking a lot about the story and then Richard drew these thumbnail sketches. On the first one you can see the final cover in a rough phase: a fallen aquir battle ship and a dragon who attacks it. On the second one there is an aquir chief on his ship, watching some antagonistic dragons flying. The publisher and the author chose the first one.
Richard made the graphics on the basis of the sketch. He drew the dragon and the ship separately, then scanned the pages and gave me a PSD file with two layers. You know I use Photoshop on an iMac, an ancient Wacom tablet and rough metal music.
I played with the dragon and finally flipped it. Kept the graphics on a multiply layer and underpainted it with gray tones. If you paint this way, you can manage the tones easily without take care of the colors.
I added some basic colors to the image. I wanted to illustrate the difference between the meat vessel and the reptile.
At first I worked on the details of the aquir ship and the mountain top. I tried to paint some distance with using of blue tones, because the ship is a really huge beasty and it's far from the dragon (witch is a huge beasty, too).
I wanted the fire to be the focus of the image. When I painted it I used some photos of napalm explosions as references. I think it looks good in front of that purple and blue background.
At the end I finalized the dragon then I painted some tiny flying bat-like creatures in the background. They are aquirs. Or dragons. Or both...
It's the finalized cover painting. I flipped it and made some little modifications: hit the ship with a lightning strike (I guess it comes from the elves), made color corrections, and heal the right... no, the left wing of the dragon.
The book went to the stores with this typography. It's published by Delta Vision, you can read it only in Hungarian.
Cover of the M.A.G.U.S. book "Ifin nights 2" by Gergely Gabor Boruzs. You are right, it's the sequel of "Ifin nights"... and my favorite job so far. A collaboration with Richard Vass.
This is the cover of the novel "Hundredwars" by John J. Sherwood. I worked with Richard Vass on it again. The following is a walkthrough how we created this painting.
After we received the details from the publisher, we talked a lot about the options, the potential scenes, the compositional schemes we could use. In the story you can read about the war between the gentle elves and the demonic breed of the aquirs. Both of the species use flying battle ships: the ships of the elves are beautiful, the aquir ones are living meat monstrosities and lava vessels. And there are also dragons in friendship with the good forest people in the novel. Well, we were thinking a lot about the story and then Richard drew these thumbnail sketches. On the first one you can see the final cover in a rough phase: a fallen aquir battle ship and a dragon who attacks it. On the second one there is an aquir chief on his ship, watching some antagonistic dragons flying. The publisher and the author chose the first one.
Richard made the graphics on the basis of the sketch. He drew the dragon and the ship separately, then scanned the pages and gave me a PSD file with two layers. You know I use Photoshop on an iMac, an ancient Wacom tablet and rough metal music.
I played with the dragon and finally flipped it. Kept the graphics on a multiply layer and underpainted it with gray tones. If you paint this way, you can manage the tones easily without take care of the colors.
I added some basic colors to the image. I wanted to illustrate the difference between the meat vessel and the reptile.
At first I worked on the details of the aquir ship and the mountain top. I tried to paint some distance with using of blue tones, because the ship is a really huge beasty and it's far from the dragon (witch is a huge beasty, too).
I wanted the fire to be the focus of the image. When I painted it I used some photos of napalm explosions as references. I think it looks good in front of that purple and blue background.
At the end I finalized the dragon then I painted some tiny flying bat-like creatures in the background. They are aquirs. Or dragons. Or both...
The book went to the stores with this typography. It's published by Delta Vision, you can read it only in Hungarian.
An illustration for the M.A.G.U.S. card game, made in 2007. This piece is one of my favorites.
This is an illustration I made for the M.A.G.U.S. card game "Choosen Ones". It seems this Hargash'um was a really though guy, his wings are deadly artifacts now.
I made these three little illustrations for the M.A.G.U.S. Toron handbook in 2008. A Toronian nobleman, a witch, and a necromancer.
The grayscale basic and the colored, finished picture. I used more textures and adjustment layers because I'm trying another way to color and develop an illustration.
An illustration from the Toron sourcebook, and the sketch I did in 2004. They'are the weird Toronian rododa actors. Or actresses, who knows.
The dark empire's ordinary soldiers in the unfinished M.A.G.U.S. game "Seventh Age". We used this concepts when we designed the Toronian army for the Toron sourcebook:
Poisonous tongues and tendrils, needle-sharp teeth, color-changing skin, luminous lizardy eyes, and a bottomless stomach: the fatty bastard in full splendour.
My first quickies for the disgusting, fungus-like, poisonous, hangdog, and certainly man-eater vault monster.
